Making Music with Computers Creative Programming in Python 无水印原版pdf.pdf

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Cover

Contents

Foreword

Preface

The Authors

1: Introduction and History

2: Elements of Music and Code

3: Organization and Data

4: Transformation and Process

5: Iteration and Lists

6: Randomness and Choices

7: Sonification and Big Data

8: Interactive Musical Instruments

9: Making Connections

10: Music, Number, and Nature

11: Exploring Powerful Ideas

References

Appendix A: MIDI Constants

Appendix B: Music Library Functions

Appendix C: GUI Library Functions

Appendix D: Other Functions

Back Cover

Making Music with Computers Creative Programming in Python Bill Manaris Andrew R. Brown

Making Music with Computers Creative Programming in Python

CHAPMAN & HALL/CRC TEXTBOOKS IN COMPUTING Series Editors John Impagliazzo Professor Emeritus, Hofstra University Andrew McGettrick Department of Computer and Information Sciences University of Strathclyde Aims and Scope This series covers traditional areas of computing, as well as related technical areas, such as software engineering, artificial intelligence, computer engineering, information systems, and information technology. The series will accommodate textbooks for undergraduate and gradu- ate students, generally adhering to worldwide curriculum standards from professional societ- ies. The editors wish to encourage new and imaginative ideas and proposals, and are keen to help and encourage new authors. The editors welcome proposals that: provide groundbreaking and imaginative perspectives on aspects of computing; present topics in a new and exciting context; open up opportunities for emerging areas, such as multi-media, security, and mobile systems; capture new developments and applications in emerging fields of computing; and address topics that provide support for computing, such as mathematics, statistics, life and physical sciences, and business. Published Titles Paul Anderson, Web 2.0 and Beyond: Principles and Technologies Henrik Bærbak Christensen, Flexible, Reliable Software: Using Patterns and Agile Development John S. Conery, Explorations in Computing: An Introduction to Computer Science Ted Herman, A Functional Start to Computing with Python Pascal Hitzler, Markus Krötzsch, and Sebastian Rudolph, Foundations of Semantic Web Technologies Mark J. Johnson, A Concise Introduction to Data Structures using Java Uvais Qidwai and C.H. Chen, Digital Image Processing: An Algorithmic Approach with MATLAB® Mark J. Johnson, A Concise Introduction to Programming in Python Lisa C. Kaczmarczyk, Computers and Society: Computing for Good Mark C. Lewis, Introduction to the Art of Programming Using Scala Bill Manaris and Andrew R. Brown, Making Music with Computers: Creative Programming in Python Henry M. Walker, The Tao of Computing, Second Edition

Chapman & Hall/CRC TEXTBOOKS IN COMPUTING Making Music with Computers Creative Programming in Python Bill Manaris College of Charleston South Carolina, USA Andrew R. Brown Queensland University of Technology Keperra, Australia

CRC Press Taylor & Francis Group 6000 Broken Sound Parkway NW, Suite 300 Boca Raton, FL 33487-2742 © 2014 by Taylor & Francis Group, LLC CRC Press is an imprint of Taylor & Francis Group, an Informa business No claim to original U.S. Government works Version Date: 20140402 International Standard Book Number-13: 978-1-4822-2221-0 (eBook - PDF) This book contains information obtained from authentic and highly regarded sources. Reasonable efforts have been made to publish reliable data and information, but the author and publisher cannot assume responsibility for the validity of all materials or the consequences of their use. The authors and publishers have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained. If any copyright material has not been acknowledged please write and let us know so we may rectify in any future reprint. Except as permitted under U.S. Copyright Law, no part of this book may be reprinted, reproduced, transmit- ted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. For permission to photocopy or use material electronically from this work, please access www.copyright. com (http://www.copyright.com/) or contact the Copyright Clearance Center, Inc. (CCC), 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400. CCC is a not-for-profit organization that provides licenses and registration for a variety of users. For organizations that have been granted a photocopy license by the CCC, a separate system of payment has been arranged. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Visit the Taylor & Francis Web site at http://www.taylorandfrancis.com and the CRC Press Web site at http://www.crcpress.com

Contents Foreword, xix Preface, xxi The Authors, xxvii Acknowledgments, xxix Chapter 1 ◾ Introduction and History 1.1 OVERVIEW 1.2 CONNECTING MUSIC, NATURE, AND NUMBER 1.2.1 Pythagoras—Harmonic Series 1.2.2 The Antikythera Mechanism—The First Known Computer Johannes Kepler—Harmony of the World 1.2.3 1.2.4 Cymatics 1.2.5 Fractals 1.3 COMPUTER MUSIC HISTORY 1.3.1 Automated Music 1.3.2 Early Computer Music 1.3.3 Electronic Music 1.3.3.1 Reflection Questions 1.4 ALGORITHMS AND PROGRAMMING 1.5 THE COMPUTER AS A MUSICAL INSTRUMENT 1.6 SOFTWARE USED IN THIS BOOK 1.6.1 Case Study: Running a Python Program 1.7 SUMMARY 1 1 1 2 4 4 6 7 9 10 11 12 17 17 19 21 22 23 v

vi ◾ Contents Chapter 2 ◾ Elements of Music and Code 2.1 OVERVIEW 2.2 MUSIC IS SOUND AND … 2.3 NOTES 2.3.1 Musical Notation 2.3.2 Pitch 2.3.2.1 Pitches Are Integers 2.3.3 Duration 2.3.3.1 Durations Are Real Numbers 2.3.4 Dynamic 2.3.5 Panning 2.3.6 Creating Notes 2.4 RESTS 2.4.1 Creating Rests 2.4.2 Case Study: Playing a Note 2.4.2.1 Comments 2.4.3 Exercise 2.5 VARIABLES AND ASSIGNMENT 2.5.1 Examples 2.5.2 Reserved Words 2.6 NUMBERS Integers 2.6.1 2.6.2 Floats 2.6.3 Arithmetic Expressions INPUT AND OUTPUT 2.7.1 2.7.2 Output to the Screen Input from the Keyboard 2.7 2.8 DATA TYPES 2.8.1 The type() Function 2.8.2 Case Study: Finding the Octave of a Pitch 2.8.3 Testing Programs 2.8.4 Exercise 2.9 SUMMARY 25 25 25 26 27 28 28 29 31 31 31 32 33 34 34 35 36 36 37 38 39 39 40 40 42 42 43 44 44 45 46 46 47

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