Handbook of Image and Video Processing 无水印pdf.pdf

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Cover

Frontmatter

Half Title Page

Title Page

Preface

Editor

Contributors

Table of Contents

Section I: Introduction

1.1 Introduction to Digital Image and Video Processing

Section II: Basic Image Processing Techniques

2.1 Basic Gray-Level Image Processing

2.2 Basic Binary Image Processing

2.3 Basic Tools for Image Fourier Analysis

Section III: Image and Video Processing

3.1 Basic Linear Filtering with Application to Image Enhancement

3.2 Nonlinear Filtering for Image Analysis and Enhancement

3.3 Morphological Filtering for Image Enhancement and Detection

3.4 Wavelet Denoising for Image Enhancement

3.5 Basic Methods for Image Restoration and Identification

3.6 Regularization in Image Restoration and Reconstruction

3.7 Multichannel Image Recovery

3.8 Multiframe Image Restoration

3.9 Iterative Image Restoration

3.10 Motion Detection and Estimation

3.11 Video Enhancement and Restoration

3.12 3-D Shape Reconstruction from Multiple Views

3.13 Image Sequence Stabilization, Mosaicking, and Superresolution

Section IV: Image and Video Analysis

4.1 Computational Models of Early Human Vision

4.2 Multiscale Image Decompositions and Wavelets

4.3 Random Field Models

4.4 Image Modulation Models

4.5 Image Noise Models

4.6 Color and Multispectral Image Representation and Display

4.7 Statistical Methods for Image Segmentation

4.8 Multiband Techniques for Texture Classification and Segmentation

4.9 Video Segmentation

4.10 Adaptive and Neural Methods for Image Segmentation

4.11 Gradient and Laplacian-Type Edge Detection

4.12 Diffusion-Based Edge Detectors

4.13 Software for Image and Video Processing

Section V: Image Compression

5.1 Lossless Coding

5.2 Block Truncation Coding

5.3 Fundamentals of Vector Quantization

5.4 Wavelet Image Compression

5.5 The JPEG Lossy Image Compression Standard

5.6 The JPEG Lossless Image Compression Standards

5.7 Multispectral Image Coding

Section VI: Video Compression

6.1 Basic Concepts and Techniques of Video Coding and the H.261 Standard

6.2 Spatiotemporal Subband/Wavelet Video Compression

6.3 Object-Based Video Coding

6.4 MPEG-1 and MPEG-2 Video Standards

6.5 Emerging MPEG Standards: MPEG-4 and MPEG-7

Section VII: Image and Video Acquisition

7.1 Image Scanning, Sampling, and Interpolation

7.2 Video Sampling and Interpolation

Section VIII: Image and Video Rendering and Assessment

8.1 Image Quantization, Halftoning, and Printing

8.2 Perceptual Criteria for Image Quality Evaluation

Section IX: Image and Video Storage, Retrieval and Communication

9.1 Image and Video Indexing and Retrieval

9.2 Unified Framework for Video Browsing and Retrieval

9.3 Image and Video Communication Networks

9.4 Image Watermarking for Copyright Protection and Authentication

Section X: Applications of Image Processing

10.1 Synthetic Aperture Radar Algorithms

10.2 Computed Tomography

10.3 Cardiac Image Processing

10.4 Computer Aided Detection for Screening Mammography

10.5 Fingerprint Classification and Matching

10.6 Probabilistic, View-Based, and Modular Models for Human Face Recognition

10.7 Confocal Microscopy

10.8 Bayesian Automated Target Recognition

Backmatter

Index

Back Cover

‘1. I 1 ...

H A N D B O O K O F IMAGE A m VIDEO PROCESSING

Academic Press Series in Communications, Networking, and Multimedia EDITOR-IN-CHIEF Jerry D. Gibson Southern Methodist University This series has been established to bring together a variety of publications that represent the latest in cutting-edge research, theory, and applications of modern communication systems. All traditional and modern aspects of communications as well as all methods of computer communications are to be included. The series will include professional handbooks, books on communication methods and standards, and research books for engineers and managers in the world-wide communications industry.

H A N D B O O K O F IMAGE AND VIDEO PROCESSING EDITOR AL BOVIK DEPARTMENT OF ELECTRICAL AND COMPUTER ENGINEERING THE UNIVERSITY OF TEXAS AT AUSTIN AUSTIN, TEXAS ACADEMIC PRESS A Harcourt Science and Technology Company SAN DIEGO / SAN FRANCISCO / NEW YO=/ BOSTON / LONDON / SYDNEY / TOKYO

This book is printed on acid-free paper. Q Copyright t2 2000 by Academic Press All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Requests for permission to make copies of any part of the work should be mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida, 32887-6777. Explicit Permission from Academic Press is not required to reproduce a maximum of two figures or tables from an Academic Press article in another scientific or research publication provided that the material has not been credited to another source and that full credit to the Academic Press article is given. ACADEMIC PRESS A Harcourt Science and Technology Company 525 B Street, Suite 1900, San Diego, CA 92101-4495, USA http:llmr.academicpress.com Academic Press Harcourt Place, 32 Jamestown Road, London, NW1 7BY, UK http:llwww. hbuk.co.uk/apl Library of Congress Catalog Number: 99-69120 ISBN 0-12-119790-5 Printed in Canada 00 01 02 03 04 05 FR 9 8 7 6 5 4 3 2 1

Preface This Handbook represents contributions from most of the world’s leading educators and active research experts working in the area of Digital Image and Video Processing. Such a volume comes at a very appropriate time, since finding and applying improved methods for the acquisition, compression, analysis, and manipulation of visual information in digital format has become a focal point of the ongoing revolution in information, communication and computing. Moreover, with the advent of the world-wide web and digital wireless technology, digital im- age and video processing will continue to capture a significant share of “high technology” research and development in the fu- ture. This Handbook is intended to serve as the basic reference point on image and video processing, both for those just enter- ing the field as well as seasoned engineers, computer scientists, and applied scientists that are developing tomorrow’s image and video products and services. The goal of producing a truly comprehensive, in-depth vol- ume on Digital Image and Video Processing is a daunting one, since the field is now quite large and multidisciplinary. Text- books, which are usually intended for a specific classroom audi- ence, either cover only a relatively small portion of the material, or fail to do more than scratch the surface of many topics. More- over, any textbook must represent the specific point of view of its author, which, in this era of specialization, can be incomplete. The advantage ofthe current Handbook format is that everytopic is presented in detail by a distinguished expert who is involved in teaching or researching it on a daily basis. This volume has the ambitious intention of providing a re- source that covers introductory, intermediate and advanced top- ics with equal clarity. Because of this, the Handbook can serve equaIly well as reference resource and as classroom textbook. As a reference, the Handbook offers essentially all of the material that is likely to be needed by most practitioners. Those needing further details will likely need to refer to the academic litera- ture, such as the IEEE Transactions on Image Processing. As a textbook, the Handbook offers easy-to-read material at different levels of presentation, including several introductory and tuto- rial chapters and the most basic image processing techniques. The Handbook therefore can be used as a basic text in introduc- tory, junior- and senior-level undergraduate, and graduate-level courses in digital image and/or video processing. Moreover, the Handbook is ideally suited for short courses taught in indus- try forums at any or all of these levels. Feel free to contact the Editor ofthis volume for one such set of computer-based lectures (representing 40 hours of material). The Handbook is divided into ten major sections covering more than 50 Chapters. Following an Introduction, Section 2 of the Handbookintroduces the reader to the most basic methods of gray-level and binary image processing, and to the essential tools of image Fourier analysis and linear convolution systems. Section 3 covers basic methods for image and video recovery, including enhancement, restoration, and reconstruction. Basic Chapters on Enhancement and Restoration serve the novice. Section 4 deals with the basic modeling and analysis of digital images and video, and includes Chapters on wavelets, color, human visual modeling, segmentation, and edge detection. A valuable Chap- ter on currently available software resources is given at the end. Sections 5 and 6 deal with the major topics of image and video compression, respectively, including the JPEG and MPEG stan- dards. Sections 7 and 8 discuss the practical aspects of image and video acquisition, sampling, printing, and assessment. Section 9 is devoted to the multimedia topics of image andvideo databases, storage, retrieval, and networking. And finally, the Handbook concludes with eight exciting Chapters dealing with applications. These have been selected for their timely interest, as well as their illustrative power of how image processing and analysis can be effectively applied to problems of significant practical interest. As Editor and Co-Author of this Handbook, I am very happy that it has been selected to lead off a major new series of hand- books on Communications, Networking, and Multimedia to be published by Academic Press. I believe that this is a real testa- ment to the current and growing importance of digital image and video processing. For this opportunity I would like to thank Jerry Gibson, the series Editor, and Joel CIaypool, the Executive Editor, for their faith and encouragement along the way. Last, and far from least, I’d like to thank the many co-authors who have contributed such a fine collection of articles to this Handbook. They have been a model of professionalism, timeli- ness, and responsiveness. Because of this, it was my pleasure to carefully read and comment on every single word of every Chap- ter, and it has been very enjoyable to see the project unfold. I feel that this Handbook o f h a g e and Video Processingwill serve as an essential and indispensable resource for many years to come. Al Bovik Austin, Texas 1999 V

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