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Getting Started with C++ Audio Programming for Game Development.pdf

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    Cover
    Copyright
    Credits
    About the Author
    About the Reviewers
    www.PacktPub.com
    Table of Contents
    Preface
    Chapter 1: Audio Concepts
    Sound waves
    Analog and digital audio
    Multi-channel audio
    Audio file formats
    Summary
    Chapter 2: Audio Playback
    Understanding FMOD
    Installing FMOD Ex Programmer's API
    Creating and managing the audio system
    Loading and streaming audio files
    Playing sounds
    Checking for errors
    Project 1 – building a simple audio manager
    Class definition
    Initialization and destruction
    Loading or streaming sounds
    Playing sounds
    A note about the code samples
    Summary
    Chapter 3: Audio Control
    The channel handle
    Controlling playback
    Controlling the volume
    Controlling the pitch
    Controlling the panning
    Grouping channels together
    Controlling groups of channels
    Project 2 – improving the audio manager
    Class definition
    Initialization and destruction
    Loading songs and sound effects
    Playing and stopping sound effects
    Playing and stopping songs
    Controlling the master volume of each category
    Summary
    Chapter 4: 3D Audio
    Positional audio
    Positional audio in FMOD
    Creating an audio source
    Setting the audio source position and velocity
    Setting the audio source direction
    Setting the audio source range
    Setting the audio listener properties
    Integration with a game
    Reverb
    Reverb in FMOD
    Creating a reverb object
    Setting reverb properties
    Setting reverb position and radius
    Setting the default ambient reverb
    Obstruction and occlusion
    Obstruction and occlusion in FMOD
    Effects
    Effects in FMOD
    Example 1 – time stretching
    Example 2 – simple radio effect
    Summary
    Chapter 5: Intelligent Audio
    Audio files versus sound events
    Introducing the FMOD Designer
    Simple events
    Examples of simple events
    Avoiding repetitive sound effects
    Creating a footsteps sound loop
    Creating a breaking glass sound effect
    Creating an ambient track of singing birds
    Multi-track events
    Examples of multi-track events
    Creating an interactive footsteps sound loop
    Simulating the sound of a car engine
    Creating a complex ambient track of a forest
    Interactive music
    The vertical approach (re-orchestration)
    The horizontal approach (re-sequencing)
    Calling sound events from the game code
    Summary
    Chapter 6: Low-level Audio
    Representing audio data
    Playing audio data
    Loading a sound
    Playing a sound
    Pausing a sound
    Looping a sound
    Changing volume
    Changing pitch
    Changing panning
    Mixing multiple sounds
    Implementing a delay effect
    Synthesizing a sound
    Summary
    Index
    Getting Started with C++ Audio Programming for Game Development A hands-on guide to audio programming in game development with the FMOD audio library and toolkit David Gouveia BIRMINGHAM - MUMBAI
    Getting Started with C++ Audio Programming for Game Development Copyright © 2013 Packt Publishing All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. Every effort has been made in the preparation of this book to ensure the accuracy of the information presented. However, the information contained in this book is sold without warranty, either express or implied. Neither the author, nor Packt Publishing, and its dealers and distributors will be held liable for any damages caused or alleged to be caused directly or indirectly by this book. Packt Publishing has endeavored to provide trademark information about all of the companies and products mentioned in this book by the appropriate use of capitals. However, Packt Publishing cannot guarantee the accuracy of this information. First published: August, 2013 Production Reference: 1190813 Published by Packt Publishing Ltd. Livery Place 35 Livery Street Birmingham B3 2PB, UK. ISBN 978-1-84969-909-9 www.packtpub.com Cover Image by Suresh Mogre (suresh.mogre.99@gmail.com)
    Credits Author David Gouveia Reviewers Tomas Pettersson Daniel Varela Acquisition Editor Edward Gordon Commissioning Editor Shreerang Deshpande Technical Editors Larissa Pinto Nitee Shetty Project Coordinator Suraj Bist Proofreader Lesley Harrison Indexer Tejal Soni Graphics Abhinash Sahu Production Coordinator Melwyn D'sa Cover Work Melwyn D'sa
    About the Author David Gouveia is a Software Engineer and Game Developer from Portugal, Madeira Island. He recently finished his MSc in Computer Science, with a specialization in graphics and multimedia, and is currently working full-time as a game programmer for a local company. He runs an educational blog about game development and enjoys sharing his knowledge with the community whenever possible. His main interests in game development are graphics and audio programming. He also has a strong interest in music and synthesizers, having played the keyboard most of his life.
    About the Reviewers Tomas Pettersson is a creator of the freeware audio tools SFXR and Musagi. Daniel Varela was born in Trebujena, Spain, in 1980. His strong passion for music and technology led him to obtain a Bachelor's degree in Sound and Image Engineering from the University of Málaga, Spain, in 2004. From very early on in his education, he focused on digital audio signal processing, designing and developing software simulations for audio signals quantification noise modeling, experimental reverb effects, and culminating in an application for the digital audio editing as his final project of studies. After graduating, he worked for six years in the software consultancy area as an Applications Programmer and Analyst. During this stage, he improved his Object Oriented Programming skills and working methodology, but however, he felt like something was missing. In 2010, he joined TheGameKitchen, a just born indie videogames development company, as a Generalist Programmer. During this period, he made familiar game engines, such as XNA or Unity3D and developed some audio application prototypes, such as a MOD tracker player for XNA or a scratching application for Windows Phone. In 2011, he started working at BlitzGamesStudios in the UK as Audio Programmer, developing a successful career in the area of audio programming for videogames. He is responsible for maintaining and improving an existing cross platform end to end audio pipeline, as well as working with third party audio middleware such as FMOD and Wwise.
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    Table of Contents Preface Chapter 1: Audio Concepts Sound waves Analog and digital audio Multi-channel audio Audio file formats Summary Chapter 2: Audio Playback Understanding FMOD Installing FMOD Ex Programmer's API Creating and managing the audio system Loading and streaming audio files Playing sounds Checking for errors Project 1 – building a simple audio manager Class definition Initialization and destruction Loading or streaming sounds Playing sounds A note about the code samples Summary Chapter 3: Audio Control The channel handle Controlling the playback Controlling the volume Controlling the pitch Controlling the panning Grouping channels together 1 7 7 9 11 11 12 13 13 14 15 16 17 18 19 19 21 22 22 23 24 25 25 26 27 27 29 30
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